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Blackbyrd McKnight: Press

The 2016 San Francisco Jazz Festival Hits A Cool Vibe

Blackbyrd McKnight exhibited a dexterity on electric guitar that made Eric Clapton look like he has slow hands. Hard to fathom a more professional, traditional and progressive set of jazz musicians all in one band.

Dope Dogs (Japanese Version) (1995)

(Parliament - Funkadelic - P-Funk All Stars)

It starts off with the utterly brilliant "Dog Star (Fly On)", a heavy guitar tune that stands up to the best Funkadelic cuts ever made. It stars Blackbyrd, absolutely dominating the scene with amazing solo after solo.

The Best Los Angeles Jazz Concerts of 2012

 

For the Miles Davis tribute, between a straight-ahead, throwback set from Kind of Blue drummer Jimmy Cobb and a crowd-pleaser '80s homage from Marcus Miller, the amps were cranked for Miles' electric period. Guitarist Blackbyrd McKnight cut loose as Nicholas Payton filled the trumpet position with strength and attitude. The stage was loaded with wattage and they made the most of it. It was a pleasantly deafening assault that future jazz shows could learn from.

Time To Get Superfunkified


Fans of funk guitar will swoon over the fact that none other than Mr. Groove Central, Dewayne "Blackbyrd" McKnight, is the guitar genius behind Socialibrium. McKnight, known for his work with P-Funk, The Headhunters and Herbie Hancock, was also the first guitarist to replace Red Hot Chili Peppers guitarist Hillel Slovak after his death in 1988.

'Bout Funkin' Time

The greatest improvisational guitarist in rock. Period. I can’t tell you how many times I’ve tried to indoctrinate a newbie into the dense musical stew of rock/funk/ gospel/ doo-wop psycheclica that is live P-Funk, only to have that person come out of the venue and ask the immortal question: “Who in the funk was that unfunkinbelievable axeman standing stage-left?!?”

Indeed. Mention the name DeWayne Blackbyrd McKnight in any round table discussion amongst jazz/fusion & funk purists and the mere thought at what this man’s body of work suggest sends shivers into the earhole. Unfortunately outside of that circle, the name is less well know if at all, which is a travesty.

After a 30- year tour of duty as band leader of Parliament Funkadelic’s greatest show in rock circus, the Blackbyrd is ready to spread his wings and “Fly On”. On any given night onstage with George, we found him ripping up and constructing new arrangements over such P classics as Atomic Dog, Pumpin’ It Up, Generator Pop and Dog Star. The Dr. would simply holla “Byrd” in that crusty, funky growl, next thing you know you had been taken into an outer metal spaceway with another mind-boggling 20 minute solo rendering these classic songs complete shred fests.

Byrd lives to play guitar. GC says, “don’t mess with his amp, when he wants to play he’s gonna play now and he’s gonna play loud”. By the time he debuted with the P on Funkadelic’s 1979 classic Uncle Jam LP and lead axe in the Brides of Funkenstein crack touring unit, he had already introduced electric guitarisms into the legendary Headhunters on the “Survival of the Fittest” album of 1975.

A straight-up Guitar God badass whose absence from Clinton’s bands is sorely missed. Byrd has now boldly taken off into his own territory and as these tracks attest, he takes you where no mere mortal has ever dared to tread while playing an axe.

His playing is so spontaneous that no matter how many times you’ve seen him do his thang in concert, no matter how many bags you’ve attempted to put him in, he naturally universally escapes categorization. Here he takes that live spirit and translates it into studio majik not yet found this side of Hendrix’ Electric Ladyland. These cuts sweat, bang and vamp hard with a wall-shaking, earth-rattling body-bumping snasty funk/metal groove.

From the time he launches into the definitive“Funkarockaholic”Byrd shreds, slices and dices thru 10 ear-splitting guitar jams that pounds the listener, in the know and uninitiated alike, into a frenzied state of ultra energetic satiation. He just wears your ass out, when I finished digesting my first listen to this all I wanted to do afterwards is just roll over and take a deep breath. Dayum!!

And oh yeah, if you missed the Blackbyrd doin’ his thang with Clinton & Co. don’t fret, he just co-founded the experimental rock collective Socialybrium with Bernie Worrell and his back on the road with his own show as well. McKnight’s incredible musical journey has now come full circle and he is “Funkin Where You Belong”, dare to kick the volume up another notch, if you can hang.

Return to the Dark Side of the Moon

Dewayne “Blackbyrd” McKnight is considered a formidable, living bridge between the worlds of funk, rock and jazz—an improvisational powerhouse whose lead lines and rhythm work earned the respect of legendary musical visionaries. A member of Herbie Hancock’s groundbreaking fusion group The Headhunters from 1975 through 1978, he later earned worldwide renown as a featured player with George Clinton’s Parliament-Funkadelic from 1978 though 2008. He served briefly as guitarist for the Red Hot Chili Peppers after the death of Hillel Slovak in 1988 and played briefly with Miles Davis in 1986.

Miles Electric Band Sizzles at SFJAZZ

 

Guitarist Blackbyrd McKnight got a serious solo workout early in the set following a long introduction by the conga player. His muscular playing was stellar throughout the evening.

Interview Guitar Center

We had Blackbyrd McKnight, who is an amazing funk player, just an amazing psychedelic wizard of the guitar.

By Flea, Red Hot Chili Peppers

Afrofunk Alchemy at Fais Do-Do

 

-but the wildest guitar solo this reporter's ever heard in 25 years of concertgoing was carved out by one Blackbyrd McKnight. It occurred at a jam session much like this evening's bill, about a decade ago at the old Music Machine, where McKnight was backing Thelonious Monster singer Bob Forrest. McKnight, a P-Funk mainstay who's also worked with Miles Davis and the Red Hot Chili Peppers, was filling the room with these insane note flurries, ripping off the audience's collective head and slinging it 'round the galaxy. The notes flew endlessly from McKnight's frets, building to an anticipated apocalyptic finale, and we all might still be there waiting for it, except Forrest accidentally unplugged the guitar cord while stomping around the stage.

Falling James - LA Weekly (Dec 19, 2003)

Jazz-Funk Fusion – The Chameleon

The group (The Headhunters) later added black psychedelic guitarist Dewayne “Blackbyrd” McKnight, a gifted improviser whose guitar, according to one critic, “can become a sarod, synthesizer, melotron, and laser all at once.” Blackbyrd later went on to join George Clinton’s Parliament/Funkadelic thang in 1978.

Bootsy Collins landed the funk mothership at ACL Live Sunday

There were several high points but the image seared into our memory is McKnight at the edge of the stage playing his guitar with his teeth moments after he finished a Jimi Hendrix inspired solo of "The Star Spangled Banner" followed by a great rendition of "Purple Haze". In fact, it was hard to decide who to watch as the band worked through the set. Should we focus on Worrel and the crazy, trippy sounds coming out of his Moogs? Or watch the masterful McKnight as he peeled off incredible riff after incredible riff? Or fans could elect to stare in amazement at Collins as he gleefully sang.
Greg Ackerman - Examiner (Jun 21, 2011)

George Clinton with Parliament Funkadelic

At Plush Nightclub on Sunday, March 4

In fact, one of the highlights came when Clinton left the stage with all the musicians save for a bass player, drummer, rhythm guitarist, keyboard player, and amazing lead guitarist DeWayne "Blackbyrd" McKnight, who rocked some psychedelic blues that would have sent our own decidedly unfunky Steve Newton into interplanetary overdrive.

One Nation Under a Groove

George Clinton, Roxy, September 6

The psychedelic “Maggot Brain,” featuring guitarist Blackbyrd McKnight, was exceptional.

Socialibrium finds its groove in Aspen

 .....But as soon as Worrell finished flashing his technique, the band began to switch gears as Stevens and McKnight warmed up their respective axes. Within a minute, the guitars were blazing, and farewell any thoughts of a deep, contemplative sort of groove. This was full-on funk fire.

.....McKnight channeled his flamboyant energy through his guitar, playing a hammering-on technique usually associated with heavy metal.